“Museum-iD magazine has energy. Like a great museum, it wakes me up, tells me stuff I didn’t know and surprises me. I feel better-informed and more hopeful for the future of museums after reading an issue” — Sara Wajid, Co-CEO, Birmingham Museum Trust

Museum-ID 2023 Edition

In a time of growing inequality, social and economic injustice, environmental emergency, and perpetual political crisis, we want to play our part in reimagining museums as ethical, people centred organisations. It means building trust in co-creation, fostering and honouring equal partnerships, embedding empathy and inclusive practice, and taking a stand against the myth of neutrality. It means handing things back and handing over control. Depending on who you talk to this approach is often either branded brave and radical or dangerous and foolhardy. Really it is simply human decency, respect and social justice in action. For museums to be meaningful they need to progress ethically and with integrity. Now is the time to build a more equitable and hopeful future for museums.

Contents:

MuseumFutures Africa
Sophia Sanan on the pan-African project which makes clear African museum workers and stakeholders are best placed to define and create their own cultural change

Future Museum Project
What the future of museums looks like in Guinea, Singapore, Botswana, and Argentina. Museum workers based in 18 countries across 6 continents have already contributed to the project

This Is How It Should Be
In a landmark case of cultural repatriation, Manchester Museum has returned cultural heritage items to the Anindilyakwa People of Groote Eylandt.

Hello Future: Manchester Museum
£15m transformation driven by the belief that museums have an extraordinary power to build understanding and empathy between cultures, across generations and time

Museum Ideas 2023
Study days and conference exploring the ideas shaping the future. 2023 was all about discovering unique projects with emotion, imagination and new possibilities

It’s About Handing Over Power
Art Fund award grants of £1million for museums and galleries to reimagine their support for their workforce and improve inclusion and diversity

Art Fund Museum Of The Year 2023
The Burrell Collection in Glasgow wins Museum of the Year with project to create the most accessible, inclusive and sustainable fine and decorative arts museum in the world

History As A Civil Right
How to build a social justice museum: Jennifer Scott on creating a museum with a mission to play a vital and active role in the ongoing fight for justice and civil rights

Museums As Sites Of Intense Longing
Puawai Cairns on the museum being a site of grief and how to rewire the emotional currents flowing from museum encounters by supporting indigenous communities

Generators Of Social Change
Miranda Millward and Thomas Procter-Legg on what happens when you enable young people with Special Educational Needs and Disabilities to curate their own spaces

Democratic Potential Of Handling Collections
Helen Arfvidsson on why handling collections can help us rethink how museums work and that our focus should be on speeding up the shift towards more inclusive practices

Taking A Stand Against Neutrality
Kayleigh Bryant-Greenwell on repealing the myth of innocence within museums and considering the vital role of social justice in defining the 21st Century Museum

Routes To Return
New website launched to aid repatriation process from European museums – with laws, policies and guidelines as a resource to compare different approaches and learn from one another

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“Museum-iD magazine has energy. Like a great museum, it wakes me up, tells me stuff I didn’t know and surprises me. I feel better-informed and more hopeful for the future of museums after reading an issue” — Sara Wajid, Co-CEO, Birmingham Museum Trust

Issue 25 contents:

The Brutish Museums
Dan Hicks calls for western museums to wash their hands of colonial blood. This major new book reframes the current global dialogue about cultural restitution and repatriation

Museum Ideas Courses and Events
The 2022 season of Museum Ideas workshops, study days and conference is designed for museum workers looking for actionable advice and inspiring ideas they can use in their own work

MuseumFutures Africa: Creating New Possibilities in African Museology
Sophia Sanan on the pan-African project which makes clear African museum workers and stakeholders are best placed to define, map out and create cultural change

#FutureMuseum Project
Looking to the future of museums with Boubacar Diallo, National Museum of Guinea; Alvin Tan, National Heritage Board, Singapore; and Katy Ashton, People’s History Museum, Manchester

The Museum of Making
With a fully equipped workshop, specialist staff, and co-working spaces, Derby Silk Mill, site of the world’s first modern factory, has been remade as a new museum and makerspace

Taking A Stand Against Neutrality
Kayleigh Bryant-Greenwell on why social justice is vital in defining the 21st century museum and argues repealing the myth of innocence within museums reveals opportunities to engage

Trust in Co-production: Equal Partnerships for Social Justice
Thomas Procter-Legg and Miranda Millward on building an equal partnership between a school for children with cognition and learning needs and Oxford University’s museums

Feel Your Way: Emotion, Power and Empathy in the Archive
Nina Finigan on how centering emotion acts as a catalyst to critique power and the myth of neutrality, and why it is essential to developing inclusive and self-reflexive archives

Being Human: Disrupting the Medical Gaze in the Museum
Kate Forde and Clare Barlow on the collaborative process of developing a gallery that explores our relationship with ourselves and each other and sets lived experience at its heart

Transforming Museum Experience
New toolkit with ideas and advice on how to create transformative museum experiences

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Issue 24 contributors: Dan Hicks, Professor of Contemporary Archaeology, University of Oxford; Sufea Mohamad Noor, artist and curator; Yana Barinova, Chief Operating Officer and Chief Strategy Officer, Babyn Yar Holocaust Memorial Center, Ukraine; Nina Finigan, Curator Manuscripts, Auckland War Memorial Museum – Tāmaki Paenga Hira, New Zealand; Tehmina Goskar, Director and Curator, Curatorial Research Centre; Ellen McAdam, Director, Birmingham Museums Trust; Ros Croker, Senior Manager: Partnerships and Outreach, Royal Museums Greenwich; and Frances Lloyd-Baynes, Head of Collections Information Management, Minneapolis Institute of Art, United States

Selected Articles in Issue 24:

Wellcome News – Wellcome Collection announces Melanie Keen as new director and prepares to open new gallery to explore trust, identity and health

Taking Careers to the Next Level – Gain exclusive access to world-leading experts by joining a course at the V&A – deepen the knowledge you need to further your career

Reframing Archaeology in Museums – Dan Hicks on how a new exhibition at the Pitt Rivers museum explores the temporal, political, and imaginative limits of archaeology

In The Game to Change The Game – Sufea Mohamad Noor on how the lack of representation in galleries is the key barrier when it comes to inclusive participation

Memory Lab: Feeling Key to Understanding – Yana Barinova on guarding against hatred, bigotry, and fascism, and helping to build a more empathetic and tolerant future

Power and Resistance in the Archive – Nina Finigan questions what institutions remember, what they forget, and what this means for the work they do and for society

Citizen Curators and Cultural Democracy – Tehmina Goskar on how a work-based curatorial training course provides alternative pathways into museum work

Museum of the Year – St Fagans National Museum of History in Wales wins £100,000 prize and is named Museum of the Year 2019

Birmingham Museums: The First 7 Years – Ellen McAdam on a transformational journey from uncertainty and low morale to success and a commitment to representation

The Perfect Partnership? Rosalind Croker on how as resources become scarcer community groups and museums have to work in partnership more successfully

Preserving Digital Art – Frances Lloyd-Baynes argues that when it comes to their relationship with digital technology, museums are not all on the same tech trajectory

Museums and Civic Society – New report challenges role currently played by arts organisations in relation to civic society, arguing that they have a responsibility to do more

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Issue 23 contributors:

Kayleigh Bryant-Greenwell, Head of Public Programs, Smithsonian American Art Museum and The Renwick Gallery, Washington, D.C., United States; Nicola Bird, Project Manager, Multaka-Oxford; Community Engagement, Oxford University Gardens, Libraries & Museums; Nick Merriman, Chief Executive and Director, Horniman Museum and Gardens, London; Laura Wilkinson, Programme Director – New Museum, Museum of London; Maria Ribas, Head of Audience Development, CCCB Centre de Cultura Contamporània, Barcelona, Spain; Martin Brandt Djupdræt, Chief Curator and Head of Research & Presentation, Den Gamle By Open Air Museum, Aarhus, Denmark; Kati Price, Head of Digital Media and Publishing, Victoria & Albert Museum; Dafydd James, Head of Digital Media, Amgueddfa Cymru – National Museum Wales; Gail Symington, Director of Collections & Public Engagement, Royal Museums Greenwich; Andrew Simms – author, analyst and campaigner – books include Ecological Debt: Global Warming & the Wealth of Nations; and Do Good Lives Have to Cost the Earth?; Coline Cuau, Visitor Insights Manager, The British Museum; Harrison Pim, Data Scientist, Wellcome Trust, London; Katrina Lashley, Program Coordinator, Smithsonian Anacostia Community Museum, Washington, D.C. United States; Jennie Carvill Schellenbacher, Curatorial Assistant, House of Austrian History, and PhD student, University of Vienna

Selected articles featured in issue 23:

Multaka-Oxford: a ‘meeting point’ for people and cultures – Nicola Bird on the new model of collaborative and socially engaged museum practice creating volunteer opportunities for refugees

Sharing the Love: Community Engagement in the 21st Century – Nick Merriman on why museums must look to the best of Victorian liberalism and re-avow the vital importance of appealing to all

Gallery of the Islamic World – In a new suite of rooms at the heart of the British Museum, this major re-display explores the Islamic world through art and material culture

Taking A Stand Against Neutrality – Kayleigh Bryant-Greenwell on considering the crucial role of social justice in defining the 21st Century museum

Structuring for Digital Success – Kati Price and Dafydd James on why museums need to be better at defining digital success and the steps required for digital transformation

Collections & Communities – Rather than be defined by outcomes, Royal Museums Greenwich wanted their £25m Endeavour Project to be shaped by the journey

Invisable Insights – Coline Cuau and Harrison Pim on using data from TripAdvisor reviews to gain valuable insights into the visitor experience

The Museum of Rapid Transition – Andrew Simms asks what is the public role for museums in a world where civilisation faces existential environmental crises?

Reclaiming the Edge: Urban Waterways and Civic Engagement – Katrina Lashley on enabling communities to challenge the often stigmatizing narratives around their connections to the natural world

Towards a definition of the “Activist Museum” – Jennie Carvill Schellenbacher argues the more museums can can inspire action in their visitors, the more relevant they will become

Museum Visits of the Future – Pioneering collaboration plans to reimagine museum visits of the future using storytelling and virtual technology

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Articles featured in issue 22

#FutureMuseum Project
The 21st Century Museum: A Think-tank for Community – Kayleigh Bryant-Greenwell, Curator and Museum Education Specialist, Washington, D.C.; From Voice of Authority to Genuine Conversation – Elizabeth Cotton, Head of Human History, Auckland War Memorial Museum – Tamaki Paenga Hira, New Zealand; Recovering Our Human Sensibilities – Diana Chen, Gallery Lecturer, MoMA, New York; Museums as Agents of Change – Mike Murawski, Director of Education & Public Programs, Portland Art Museum; Experience-Driven, People-Centred – Dana Mitroff Silvers, Founder and Director, Designing Insights; Opportunity for New Audiences – Catherine Devine, Chief Digital Officer, American Museum of Natural History; Focus on School Programmes – Amy McDowall, Primary Learning Coordinator, Manchester Museum; Museums Must Take the Ethical Path – Bridget McKenzie, Director, Flow Associates; A Maturing of Immersive Experiences – Jenny Kidd, Senior Lecturer, Cardiff University / Co-Director, Digital Media & Society Research Group

Museum of the Year 2018
Art Fund announces the five UK museums which have been selected as finalists for the £100,000 Museum of the Year 2018 prize

Royal Academy of Arts, London
Transformational redevelopment opens up Royal Academy of Arts to reveal more of the elements that make it such a unique institution

Improving Digital Offerings for Schools
Kevin Bickham on how user-centred design methodologies are helping to improve the British Museum’s offering for schools

M+ Rover: Participatory Art in Learning
Winnie Lai on the travelling creative studio and exhibition space that tours local secondary schools and community spaces in Hong Kong

The RE:THINK Participatory Space
Joanna Salter on paving the way for a democratic approach to interpretation and interaction with visitors at the National Maritime Museum

Kettle’s Yard, Cambridge
Groundbreaking home-turned-gallery has been subtly transformed by a carefully conceived and delightful extension and development

SAASCC, Kuwait City
Discover how you successfully deliver the world’s largest ever museum complex completed in a single phase

Innovation Accelerator
Tui Te Hau on the growing trend in museums to partner with industry and entrepreneurs to fast track innovation

New Canadian History Hall
Chantal Amyot and Lisa Leblanc on developing new ways of sharing and presenting stories and responding to visitor expectations

Making Glasgow Women’s Library
Adele Patrick on how art, activism and feminist agency has shaped the first quarter century of the ground-breaking organisation

Project Portfolio
Exceptional projects including the Middle East Galleries at the Penn Museum, and Ocean Liners: Speed & Style at the V&A

Post-Colonial Commonwealth Museums
Richard Benjamin on how cultures, stories and material objects are represented in a museum context within the Commonwealth

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If you are interested in contributing an article to Museum-iD magazine please email info@museum-id.com

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Articles featured in issue 21

Future Museum: Cabinet of Curiosity Reboot for the 21st Century
Tonya Nelson – Head of Museums and Collections at University College London – on how museums of the future can use digital technology to reach a public with an appetite for knowledge and information, and a real craving for social, political and economic change

Future Museum: Finding New Perspectives and Relevance
Ros Croker – Endeavour Learning Project Manager at the National Maritime Museum – on how museums of the future will have to listen better to their audiences, be open to challenge and change, and become better conversationalists and collaborators

Future Museum: Generating Debate and Offering Paths Forward
Whitney Donhauser – Director and President of the Museum of the City of New York – on how museums can generate discussion and debate about the present and future of our society and offer paths forward based on innovative local and global solutions

Collecting and Displaying a Refugee’s Life Jacket
Bryan Sitch – Curator of Archaeology and Deputy Head of Collections at Manchester Museum – on why collecting and displaying a refugee’s life jacket helps promote understanding between different cultures and how it is part of a project to reinvigorate collecting

Activism, Homelessness and a New Kind of Museum
Jess Turtle and Matt Turtle – co-founders of the UK’s first Museum of Homelessness – on developing a museum on the basis of a social need rather than to preserve an inherited collection of objects

The Museum as Host in a Polarised World
Tony Butler – Executive Director of Derby Museums Trust and Founder of the Happy Museum Project – on why museums must use their unique qualities to bridge divisions and become conveners in a contested world

Should Museums Have a Personality?
Russell Dornan – Digital Producer at V&A Museum of Design Dundee and until recently Web Editor for Wellcome Collection – on why tone and voice are crucial online and what it means to funnel a museum’s online presence through a unique filter: ourselves

Everything Anywhere: Welcome to Your New Life as a Platform
Jonas Heide Smith – Head of Digital at SMK, The National Gallery of Denmark – on why museums need to be more reductionist yet more disorganized in order to succeed in the digital world

The Stories We Tell and the Right to Remember
Bonita Bennett – Director of the District Six Museum in Cape Town, South Africa – on how the museum can be a place of healing and hope, of restitution, celebration, and the re-energising of resilience

The Migration Museum Project
Emily Miller – Head of Learning and Partnerships at the Migration Museum Project – on establishing a national cultural institution exploring the role that migration has played in shaping the UK

Habemus. Let´s Hack the Museums
Christian Diaz – coordinator of HABEMUS – a volunteer project of the Universidad Nacional del Sur, Bahía Blanca, Argentina – on how a radio programme jointly constructed with listeners is helping to create new connections with the public

Never Going Underground: The Fight for LGBT+ Rights
Catherine O’Donnell – Programme Manager at the People’s History Museum in Manchester – on telling the stories of diverse lived experience and embedding co-production within their core strategic work

#ArchiveLottery: Randomly Opening Up Archaeology
Adam Corsini – Archaeology Collections Manager at the Museum of London – on using social media to open up collections and challenge staff to find new methods of engagement

Projects featured in issue 21

V&A Exhibition Road Quarter
The V&A’s largest architectural intervention in over 100 years creates a dramatic new entrance and vast new gallery space

Frost Science
Frost Science in Miami combines planetarium, aquarium and museum to create a sophisticated science and technology campus

National Army Museum
Transformation of National Army Museum aims to focus on public engagement and giving visitors the opportunity to voice their opinions

Musée d’arts de Nantes 
Extension and transformation of the Musée d’arts de Nantes creates an exquisite and welcoming contemporary space

The Garden Museum
Cleverly housed within the church of St Mary’s-at-Lambeth, the Garden Museum re-opens after £7.5 million re-development project

Art Fund Museum of the Year 
Winner and finalists of the £100,000 Museum of the Year – the largest arts award in Britain and the biggest museum prize in the world

Write for Museum-iD magazine
If you are interested in contributing an article to Museum-iD magazine please email info@museum-id.com

Twitter: @MuseumID – join over 36,500+ museum followers

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Articles featured in issue 20

Less is More: Digital With a Lean Team
JiaJia Fei – Director of Digital at the Jewish Museum in New York – on why museums don’t have to do it all when it comes to digital

The Idea Museum: Intangible Museum Collections and Dialogic Experience Design
Corey Timpson – Vice President, Exhibition, Research, and Design, at the Canadian Museum for Human Rights – on the experiential design of participatory exhibitions and collecting stories as born-digital artefacts

Talking to Strangers and Challenging the Social Media Echo Chamber
Rosie Stanbury – Head of Live Programme at the Wellcome Collection in London – on how museums of the future should enable people from different walks of life to talk about the big stuff – human endeavour, discovery, nature, history and the future

Intangible Heritage in the Digital Era
Matthias Henkel – Associate Lecturer at the Freie Universität Berlin and past Director General of the Nuermberg Municipal Museums – on how museums need to rethink how we collect, curate and present the digital landscape as the new public space

Increasing Diversity and Helping to Establish a Sense of Ownership
Peju Oshin – Freelance Museum Educator and Independent Curator – on how museums of the future must understand that engaging diverse audiences requires simple questions rather than over-engineered thinking

Temporary Exhibitions for the Contemporary Cultured
Fiona Cole-Hamilton – Interpretation Developer at the Natural History Museum in London – on the challenges of attracting and engaging a new target audience and presenting complex scientific ideas

Not Just a Building, But Building Community
Amy Schaffman – Education Manager at the Augusta Museum of History in the United States – on how museums of the future must become extensions of the communities they serve to play their part in building a healthy society

MOOCS and Heritage: Storytelling for a Global Audience
Katherine Biggs – Multichannel Producer for Historic Royal Palaces – on why the explosion of online learning offers heritage organisation the opportunity for mass engagement on a global scale

The Museum of Mindfullness, Wellbeing and Mental Heath
Louise Thompson – Health and Wellbeing Manager at Manchester Art Gallery – on how museums of the future could be sanctuaries from the challenges and demands of the modern age and shelters for the stressed, the sick and the socially isolated

We Need To Talk About Donors
Maxwell Blowfield – Communications Officer at Sir John Soane’s Museum in London – on the urgent need to share fundraising ideas as museums have to raise more money from donations

Transforming Shakespeare’s New Place
Delia Garratt – Director of Cultural Engagement at The Shakespeare Birthplace Trust – on the contemporary re-interpretation project aiming to make emotional connections to Shakespeare

Rapid Response Collecting
Alice Millard – Learning and Engagement Assistant at The Novium in Chichester – on how adopting a rapid collection strategy allows museums to keep up-to-date with social and political changes

Projects featured in issue 20 include:

National Museum of African American History and Culture
New museum devoted to exploring, documenting and showcasing the African American story and its impact on American and world history

Mathematics Gallery, Science Museum, London
Remarkable Zaha Hadid designed gallery at the Science Museum reveals the importance of mathematics in all our lives

Museum of the City of New York
New $10.5m permanent exhibition explores the story of the city from village to global capital and asks visitors to design the city of the future

Design Museum, London
Ambitious five-year £83m project completes as Design Museum opens in new home

Wonderlab, Science Museum, London
New £6m interactive gallery designed to help visitors make an emotional connection with science

Special Features in issue 20:

Handheld Digital Interpretation
International Project Guide

Museum Display Cases
International Project Guide

Subscribe to Museum-iD magazine
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Write for Museum-iD magazine
If you are interested in contributing an article to Museum-iD magazine please contact the editor – Gregory Chamberlain – directly: greg@museum-id.com

Twitter: @MuseumID – join over 35,000+ museum followers

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Contributors to issue 19 include:

• Ken Arnold – Creative Director, Medical Museion and Professor at Copenhagen University
• Nadine Loach – Assistant Registrar, Leeds Museums and Galleries
• Ryan Dodge – Digital Engagement Coordinator, Royal Ontario Museum
• Dan Hicks, Associate Professor of Archaeology, University of Oxford
• Adam Reed Rozan – Director of Audience Engagement, Worcester Art Museum
• Annette Day, Head of Programmes, Museum of London
• Gravity Goldberg – Associate Director of Public Programs, Contemporary Jewish Museum, San Francisco
• Emmajane Avery – Director of Learning and Visitor Experience, V&A
• Ed Rodley – Associate Director of Integrated Media, Peabody Essex Museum
• Joshua Gorman – Museum Registrar, Smithsonian National Museum of American History
• David Fleming – Director, National Museums Liverpool

Committed to sharing innovative museum theory and practice, Museum-iD is the centre of a global network of like-minded museum peers interested in a more open and progressive approach to professional inquiry. You’ll benefit from the latest ideas from leading curators, collections specialists, conservation staff, audience development professionals, educators, digital pioneers, exhibition designers and developers, leaders and directors. We’re interested in sharing exceptional ideas in museums globally. We want our readers to learn from – and be inspired by – different perspectives outside their specialism and locality.

“Museum-iD has become the place to go for fresh thinking, new ideas and interesting perspectives on the world of museums. I cannot recommend the magazine highly enough for professionals looking to gain an insight into the current trends which will define tomorrow’s museums” – Nicholas Poole, Chief Executive, The Collections Trust

“It’s hard to imagine an easier or more enjoyable way for a busy museum professional to stay up-dated on creative museum practices internationally” – Linda Duke, Director, Marianna Kistler Beach Museum of Art, US

If you’d like to contribute your ideas to Museum-iD magazine please contact the editor – Gregory Chamberlain – directly: greg@museum-id.com

Twitter: @MuseumID – join over 32,000+ museum followers

———————————————————————————————————————-

Interested in reaching thousands of museum decision-makers?
Actively promote your business to museums, galleries and heritage sites in a really affordable and highly effective way. With Museum-iD you gain maximum exposure to the museum marketplace with minimum spend. To discuss how we can help you reach the international museum community – and how we deliver unbeatable value and quality – please contact us for further details. We’ll be happy to help. Simply email info@museum-id.com for further details…

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In issue 18 leading museum innovators explore the future of museums in our ongoing #FutureMuseum short essay project; John Coburn looks at the untapped potential of collections and what digital public reuse projects tell us about audiences and the future of museums; Kaywin Feldman argues that the most important path to a museums future success is its talent strategy and the importance of challenging institutional culture; Michael Edson explains that the Dark Matter of the Internet is open, social, peer-to-peer and read/write and why it’s the future of museums; Christian Rasmussen and Lisbeth Skjernov write about user involvement as a collection method and working with the public to share knowledge, collect objects and co-create exhibitions; Russell Dornan looks at why Instagram is a fascinating and important platform for museums to explore themselves as visual destinations; and Rose Hiscock makes the case for disruption, hybrid thinking, salons of the future and why museums should be in a constant process of reinvention. Projects include The Museum of Tomorrow in Rio de Janeiro, the new $422 Whitney Museum of American Art in New York and the €92m transformation of the Musée de l’Homme in Paris.

Contributors include:

• Clare Brown, Program Head, Master of Arts in Exhibition Design, George Washington University
• John Coburn, Digital Programmes Manager, Tyne & Wear Archives & Museums
• Bruno David, President, Muséum national d’Histoire naturelle, Paris
• Russell Dornan, Web Editor, Wellcome Collection, London
• Kaywin Feldman, Director and President, Minneapolis Institute of Arts
• Peter Gorgels, Internet Manager, Rijksmuseum
• Ben Hamley, Manager of Audience Research, Strategy and Advocacy, Queensland Museum
• Rose Hiscock, Director, Powerhouse Museum, Sydney
• Ellie Miles, Interpretation Officer, The British Museum
• Sascha Priewe, Managing Director, Royal Ontario Museum
• Christian Rasmussen, Project Assistant, Den Gamle By (The Old Town), Denmark
• Lisbeth Skjernov, Curator, Den Gamle By (The Old Town), Denmark

Committed to sharing innovative museum theory and practice, Museum-iD is the centre of a global network of like-minded museum peers interested in a more open and progressive approach to professional inquiry. You’ll benefit from the latest ideas from leading curators, collections specialists, conservation staff, audience development professionals, educators, digital pioneers, exhibition designers and developers, leaders and directors. We’re interested in sharing exceptional ideas in museums globally. We want our readers to learn from – and be inspired by – different perspectives outside their specialism and locality.

“Museum-iD has become the place to go for fresh thinking, new ideas and interesting perspectives on the world of museums. I cannot recommend the magazine highly enough for professionals looking to gain an insight into the current trends which will define tomorrow’s museums” – Nicholas Poole, Chief Executive, The Collections Trust

“It’s hard to imagine an easier or more enjoyable way for a busy museum professional to stay up-dated on creative museum practices internationally” – Linda Duke, Director, Marianna Kistler Beach Museum of Art, US

If you’d like to contribute your ideas to Museum-iD magazine please contact the editor – Gregory Chamberlain – directly: greg@museum-id.com

Twitter: @MuseumID – join over 31,000+ museum followers

———————————————————————————————————————-

Interested in reaching thousands of museum decision-makers?
Actively promote your business to museums, galleries and heritage sites in a really affordable and highly effective way. With Museum-iD you gain maximum exposure to the museum marketplace with minimum spend. To discuss how we can help you reach the international museum community – and how we deliver unbeatable value and quality – please contact us for further details. We’ll be happy to help. Simply email info@museum-id.com for further details…

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Committed to sharing innovative museum theory and practice, Museum-iD is the centre of a global network of like-minded museum peers interested in a more open and progressive approach to professional inquiry. You’ll benefit from the latest ideas from leading curators, collections specialists, conservation staff, audience development professionals, educators, digital pioneers, exhibition designers and developers, leaders and directors. We’re interested in sharing exceptional ideas in museums globally. We want our readers to learn from – and be inspired by – different perspectives outside their specialism and locality.

Issue 17 is published in March 2015 and includes a major in-depth feature exploring the transformation of the Cooper Hewitt, Smithsonian Design Museum (NYC) in to an innovative, participatory 21st-century museum. Other projects featured include the £17.5million development of the Wellcome Collection in London, the £15 million reinvention of The Whitworth Gallery in Manchester and the biggest and most ambitious gallery at the Science Museum – Information Age. Also published are a series of extensive articles looking at informal learning in museums, understanding visitors’ motivations and usage of online collections, and how museums can increase visitor participation.

Contributors include:

• Caroline Baumann – Director, Cooper Hewitt, Smithsonian Design Museum
• Sebastian Chan, Director of Digital & Emerging Media, Cooper Hewitt, Smithsonian Design Museum
• Cara McCarty, Curatorial Director, Cooper Hewitt, Smithsonian Design Museum
• Ellen Lupton, Senior Curator, Contemporary Design, Cooper Hewitt, Smithsonian Design Museum
• Caroline Payson, Director of Education, Cooper Hewitt, Smithsonian Design Museum
• Dave Patten, Head of New Media at the Science Museum, London (interview)
• Lucy Shaw – Manager, Oxford University Museums Partnership / Programme Director, Oxford Cultural Leader
• Catherine O’Donnell – Play Your Part Engagement and Events Officer, People’s History Museum
• Gina Koutsika – Head of National and International Programmes and Projects, Imperial War Museum
• Elena Villaespesa, Digital Analyst, Tate Digital
• Philip Leers, Project Manager for Digital Initiatives, Hammer Museum, Los Angeles

Some of the other projects and news featured in issue 17 include: The Broad to open soon in downtown Los Angeles; Research into LGBT collections at National Museum Liverpool; funding for new Endeavour Galleries at Royal Museums Greenwich; the forthcoming Björk at MoMA; Bethlem Gallery and Museum of the Mind opens at the world’s oldest psychiatric hospital; Core Exhibition opens at Museum of the History of Polish Jews in Warsaw; six new galleries of Science and Technology planned at the National Museum of Scotland; the 48-hour participatory dance takeover at Tate Modern; the dramatic redevelopment plans for 14-acre campus site of Museum of Fine Arts, Houston. Plus Stephen Feber provides Five 21st Century Challenges to the ‘Museum Mind’

“Museum-iD has become the place to go for fresh thinking, new ideas and interesting perspectives on the world of museums. I cannot recommend the magazine highly enough for professionals looking to gain an insight into the current trends which will define tomorrow’s museums”
— Nicholas Poole, Chief Executive, The Collections Trust

“It’s hard to imagine an easier or more enjoyable way for a busy museum professional to stay up-dated on creative museum practices internationally”
— Linda Duke, Director, Marianna Kistler Beach Museum of Art, US

If you’d like to contribute your ideas to Museum-iD magazine please contact the editor – Gregory Chamberlain – directly: greg@museum-id.com

Twitter: @MuseumID – join over 25,000+ museum followers

———————————————————————————————————————-

Interested in reaching thousands of museum decision-makers?
Actively promote your business to museums, galleries and heritage sites in a really affordable and highly effective way. With Museum-iD you gain maximum exposure to the museum marketplace with minimum spend. To discuss how we can help you reach the international museum community – and how we deliver unbeatable value and quality – please contact us for further details. We’ll be happy to help. Simply email info@museum-id.com for further details…

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